Nicole Junkerman in a tweed jacket over a black top, leaning against a table in a room hung with framed pictures, a black and white portrait.

Seasonal

Nicole Junkerman on the Turn Into October 2026

The month turns whether or not anyone is ready for it. On noticing the change, and on letting the first week set the pace for the rest.

The month turns whether or not anyone is ready for it. On noticing the change, and on letting the first week set the pace for the rest.

There is a morning at the start of October when the light arrives later and comes in lower, and the room looks different for it. Nothing has changed except the angle. Nicole Junkerman finds this the easiest of all the monthly turns to notice, probably because it is the first one that asks for a jumper and for a lamp switched on before six.

September is a month of arriving. October is a month of settling, and the difference is larger than the calendar makes it look. Whatever pace is set in the first fortnight tends to hold until the year runs out. A reading rhythm chosen now will still be the reading rhythm in November. A walk taken on the same evening each week stops feeling like a decision somewhere around the middle of the month, which is exactly the point at which it becomes worth having.

The temptation at the start of a new quarter is to plan it thoroughly, and thorough plans are the ones least likely to survive an ordinary Tuesday. The version that lasts is short enough to be remembered without being written down twice. One thing to read. One thing to finish. One thing to do outdoors while the afternoons are still generous.

October also rewards a little rearranging. The chair that sat in the right place for July light is rarely in the right place for October light, and moving it two feet is the cheapest improvement available to anyone this month. The same goes for the hour set aside for reading: summer reading happens in the late afternoon, while autumn reading wants the early evening, curtains open for as long as there is anything left to see. The reading room changes shape around now for that reason.

Cities do this too, and more obviously than they get credit for. The first properly cold week empties the squares and fills the cafes, and a place that felt like an outdoor city in August turns into an indoor one inside a fortnight. It makes October a good month for returning somewhere already known rather than going somewhere new, because the familiar version and the October version are different enough to be worth comparing. The city notes lean autumnal from here to the new year.

None of this requires much. A notebook opened on the first of the month with three lines in it is a notebook that will still be in use at the end of it. Nicole Junkerman keeps those three lines deliberately unambitious, on the theory that a month is easier to steer than to schedule. The notebook method has not changed much in years, which is probably the strongest thing that can be said for it.

The turn itself lasts about a week. After that October simply gets on with being October, the light settles into its new place, and the lamps go on earlier without anyone remarking on it. The week is worth spending attentively, because it is the last one of the year in which the season still feels like a choice. The earlier note on packing away the summer covers the tidying that makes room for it.

Explore more of the journal: Reading Room and City Notes, or return to the Nicole Junkerman home page.

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